Adam Rifkin
Writer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Last Movie Star	03/2018	6	15	N/A	15	7
	Shooting the Warwicks	08/2015	1	N/A	N/A	N/A	N/A
	Natioinal Lampoons Homo Erectus	07/2008	N/A	N/A	N/A	N/A	N/A
	Look	12/2007	N/A	16	N/A	16	8
	Underdog	08/2007	25	43,950	21,255	65,205	29,159
	Zoom	08/2006	N/A	11,983	N/A	11,983	5,632
	Night At The Golden Eagle	04/2002	N/A	6	N/A	6	3
	Small Soldiers	07/1998	40	55,144	32,400	87,544	38,878
	Mouse Hunt	12/1997	38	61,706	60,200	121,906	53,082
	Barb Wire	04/1996	N/A	3,794	N/A	3,794	1,783
	The Chase	02/1994	N/A	8,009	N/A	8,009	3,764

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.