Guillermo del Toro
Writer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Nightmare Alley	12/2021	55	11,100	26,200	37,300	15,697
	Scary Stories To Tell In The Dark	08/2019	26	68,750	36,410	105,160	46,877
	The Shape Of Water	12/2017	21	63,850	132,400	196,250	82,970
	Crimson Peak	10/2015	57	30,120	43,670	73,790	31,624
	The Hobbit: The Battle Of The Five Armies	12/2014	250	253,795	700,820	954,615	399,612
	The Hobbit: The Desolation Of Smaug	12/2013	245	262,100	702,550	964,650	404,207
	Pacific Rim	07/2013	210	100,800	315,600	416,400	173,616
	The Hobbit: An Unexpected Journey	12/2012	200	302,375	720,040	1,022,415	430,132
	Dont Be Afraid Of The Dark	08/2011	27	24,100	7,800	31,900	14,447
	Hellboy 2: The Golden Army	07/2008	82	76,120	80,560	156,680	68,000
	Pans Labyrinth (El Laberinto del Fauno)	12/2006	20	37,815	45,000	82,815	35,773
	Hellboy	04/2004	60	59,000	40,000	99,000	43,730
	The Devils Backbone (Espinazo del Diablo, El)	12/2001	N/A	755	N/A	755	355
	The Devils Backbone	11/2001	N/A	755	N/A	755	355
	Mimic	08/1997	25	25,515	9,800	35,315	15,912

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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